Over the summer, when I was anticipating going to see Fleetwood Mac with my mom in Milwaukee, I wasn’t exactly composed or eloquent about it. I really just can’t help myself! Something about Her Most Fabulousness Miss Stephanie Nicks just makes me go all floopy. (It could be a word.)
I felt the same way anticipating my second Fleetwood Mac show, this time here in London, but found myself feeling the need to reign it in a bit more… It’s one thing making a fool of yourself in front of your mom – who once gave birth to you, diapered your poopy butt, watched the worst of your tantrums, etc etc etc and still loves you anyway. It’s a whole ‘nother matter doing so in front of your husband, a colleague, and colleague’s wife who you have only just met!
After that first show, I posted a pretty comprehensive review of what was one of the best nights I’ve had in my 27-holy-crap-almost-28 years!
And I have to say, this time around was much the same!!! Despite a few twats in the row behind us, The Mac most certainly did not disappoint!!!
The Evening Standard published a really great review and I generally agree wholeheartedly with Mr David Smyth, except that I’d give it 5 stars instead of just 4!
“How heartwarming it is when a band of a certain vintage recognises that another new album would be about as welcome as rheumatism and heads out to play everyone’s favourite songs with no ulterior motive.
“This time we said: ‘Let’s just go out and have fun,’” claimed guitarist Lindsey Buckingham as Fleetwood Mac’s Unleashed tour arrived in London for the first of three arena shows. There have been rumours of a new album and even of Sheryl Crow taking the place of the long-departed Christine McVie but perhaps they got bored waiting for inspiration and decided to remind themselves of their many finest moments.
With a set drawn largely from the classic Seventies album trilogy of Fleetwood Mac, Rumours and Tusk, there could be few complaints about song choices. Other bases were briefly covered with a solo composition each for Buckingham and co-vocalist Stevie Nicks, a nod to the band’s early hard-blues incarnation with Peter Green’s stormy Oh Well and even a gibbering Mick Fleetwood drum solo.
But the music that dominated was that written by Buckingham and Nicks when they were in the middle of an agonising relationship break-up. Dreams, Second Hand News and Go Your Own Way all summoned glorious melodies from a painful place.
Here the ex-couple arrived on stage arm in arm and embraced after Nicks had finished her ballad Sara. In his sixties, Buckingham has become more of a rock singer than he was, often barking his lines and offering a finger-bruising solo interpretation of Big Love.
Nicks remained instantly recognisable in floaty outfits that were only missing a maypole. In black here, if she had appeared on your doorstep this weekend you would have handed over all your sweets quick for fear of being egged. That reedy voice, though, remains a thing of witchcraft.
With Rumours still high on the list of the biggest-selling albums ever, the band can’t be journeying the globe again just for the money.
Furious drawn-out versions of Gold Dust Woman and World Turning demonstrated an undimmed passion for playing and suggested a simple truth: they still love these songs as much as the rest of us.”
Saturday night was their second of three London shows, and I’m just so SO glad that I went!
Our seats were right next to the stage, which was a bit odd, as we were mostly watching their profiles.. But it was all the more thrilling when they turned towards us, because we were also in the centre of the fourth row, only just above their eye level, and you guys, I’m not even kidding…. Stevie walked towards our section, arms raised and waving, and I swear she was looking at me and smiling!!!
I love Smyth’s line: ” That reedy voice, though, remains a thing of witchcraft.” It’s true, you know… she is MAGIC!!!





















In true Mumcuss tradition, they made a flyer for the ‘gig’… Taken from 





